
Ultan OāBrien Dancing The Line Vinyl LP 2025
1. Iron Mountain Foothills
2. Game Of Love
3. The Boyne Hunt
4. It Was In The Year Eighteen Hundred And Four
5. Wayside Wonders
6. Domhnall Na Griana / The Butcherās March
7. The Four Courts / Rolling In The Barrel
8. Fishermanās Garden
9. Macha
10. Packieās Pandemonium
11. Banbhaās Ruins
12. Down In Whitestrand
13. Secret House In Fintra Beg
14. Death Doula Meet
WHO IS ULTAN OāBRIEN? Ultan OāBrien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and its place in modern Irish music. Ultan OāBrien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so. Ultan has played and recorded with people and bands such as Skipperās Alley, Eoghan Ć CeannabhĆ”in, John Francis Flynn, Slow Moving Clouds, Cuar, Laura Jurd, Martin Green, Natalia Beylis, Paul Roe and Nic Gareiss. āin its Ultanās fiddle playing sincerity of tone it reminds me somewhat of those great caoineadh which were played with such elusive grandeur by Denis Murphy and PĆ”draig OāKeefeā Adrian Scahill ālets the heart brighten and the feet tapā Richard Hollingum -Klofmag
ABOUT THIS WONDERFUL ALBUM: āThis album, Dancing the Line, is my first solo album of music played on an alternatively-tune alto fiddle. I found that the resonance and growl of this lower tuned instrument sat me perfectly into the sound-world I wanted to be in, giving vibrancy to my own compositions and nestling into the traditional music I grew up with.ā
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1. Iron Mountain Foothills
2. Game Of Love
3. The Boyne Hunt
4. It Was In The Year Eighteen Hundred And Four
5. Wayside Wonders
6. Domhnall Na Griana / The Butcherās March
7. The Four Courts / Rolling In The Barrel
8. Fishermanās Garden
9. Macha
10. Packieās Pandemonium
11. Banbhaās Ruins
12. Down In Whitestrand
13. Secret House In Fintra Beg
14. Death Doula Meet
WHO IS ULTAN OāBRIEN? Ultan OāBrien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and its place in modern Irish music. Ultan OāBrien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so. Ultan has played and recorded with people and bands such as Skipperās Alley, Eoghan Ć CeannabhĆ”in, John Francis Flynn, Slow Moving Clouds, Cuar, Laura Jurd, Martin Green, Natalia Beylis, Paul Roe and Nic Gareiss. āin its Ultanās fiddle playing sincerity of tone it reminds me somewhat of those great caoineadh which were played with such elusive grandeur by Denis Murphy and PĆ”draig OāKeefeā Adrian Scahill ālets the heart brighten and the feet tapā Richard Hollingum -Klofmag
ABOUT THIS WONDERFUL ALBUM: āThis album, Dancing the Line, is my first solo album of music played on an alternatively-tune alto fiddle. I found that the resonance and growl of this lower tuned instrument sat me perfectly into the sound-world I wanted to be in, giving vibrancy to my own compositions and nestling into the traditional music I grew up with.ā












